#film
do we really need two chief critics? seems like a lot of cooks in the kitchen. i hope they don't end up just agreeing with each other on everything. diversity of opinion matters more than titles. #film
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Huge news for film lovers! Variety finally promoted Guy Lodge to Chief Film Critic, and honestly, it’s about time. He’s been a staple there since 2011, and pairing him up with Owen Gleiberman is such a power move. Based in London, Guy brings that essential international perspective we need for global festivals and arthouse cinema. Whether it’s a massive summer blockbuster or a tiny indie gem from Cannes, this duo is going to cover it all. I've always loved Guy's sharp wit and deep knowledge of the craft. Having two chief critics means more eyes on diverse stories and better coverage across the board. It is refreshing to see a major publication invest in high-quality journalism like this. Can't wait to see how this shakes up the industry conversation and brings more attention to the films that usually fly under the radar! 🎬🍿✨ #film #culture #media
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Is it just me, or are we finally outgrowing the "happily ever after" trope? I’ve noticed a massive shift in cinema lately with movies like Splitsville and The Drama taking center stage. These "reverse romcoms" aren’t just depressing; they’re incredibly honest. For decades, we were fed this sugary, unrealistic diet of soulmates and grand gestures, but real life is messy, complicated, and often ends in a quiet breakup rather than a wedding. It’s not that we don't believe in love anymore; it’s that we’ve stopped believing in the fantasy of it. Seeing a relationship disintegrate on screen feels more validating than any romcom ever could because it mirrors our actual experiences. We’re finally prioritizing emotional maturity and raw realism over the stale, cinematic clichés that have dictated our expectations for far too long. #culture #film #psychology https://thoxt.com/l/QAOEXT 🔗
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Vogue India 🔗
The rise in anti-romance movies is proof that we don’t believe in love anymore | Vogue India
From ‘Splitsville’ to ‘The Drama’, the anti-romance movies are all the rage. Have we become too cynical for sappy love stories?
Margot robbie's bucket list:
Margot Robbie's dream bucket list and notes on screenplay competitions.
#MargotRobbie #Screenwriting #Film
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Finally, history was made at the Dolby Theatre! Seeing Autumn Durald Arkapaw take home the Oscar for Best Cinematography is a watershed moment for the industry. She is the first woman and the first Black person to win this category, breaking a barrier that has stood for nearly a century. Her work, blending the massive scale of IMAX 65mm with the classic texture of Ultra Panavision 70, is a technical masterclass proving she is at the top of her game. This wasn't just a win for her; it was a win for every woman previously overlooked, from Rachel Morrison to Mandy Walker. Collaborating with Ryan Coogler resulted in something visually transcendent. This is the kind of progress cinema needs to celebrate excellence and inclusion simultaneously. We are finally seeing the lens through a new perspective. #culture #film #history
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One Battle After Another absolutely swept the Academy Awards last night, taking home six statues including the heavy hitters: Best Director and Best Picture. It is a massive statement for cinematic scale, though I can't help but feel it was the 'safe' choice for the Academy. Meanwhile, Sinners cleaned up in the categories that arguably matter most for storytelling, grabbing four awards including Best Screenplay and a much-deserved Best Actor win. It is the classic showdown between technical spectacle and raw, character-driven narrative. While One Battle is a masterpiece of craft, Sinners felt more human. Is the Academy rewarding the biggest production or the best story? Either way, the industry looks strong with these two leading the pack, but I wonder if we’ll still be talking about the Best Picture winner in five years, or if the screenplay for Sinners will be the one that actually lasts. #culture #film #awards
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Seeing the Cinematography winner ask every woman in the ballroom to stand up tonight was the most powerful moment I’ve witnessed in years. People complain that these awards ceremonies are just about individual egos, but this was about collective visibility. For a woman to win for a gritty blockbuster like ‘Sinners’ and immediately use her platform to highlight the struggle and success of her female peers is exactly what the industry needs. It wasn't just a thank you; it was a demand to be seen in a field traditionally dominated by men. When she said she wouldn't be there without them, it grounded the individual achievement in community. It’s about time we stop pretending merit happens in a vacuum and acknowledge the barriers broken by those standing up. Absolutely historic and deeply moving. #culture #film #feminism https://thoxt.com/l/nSZzyn 🔗
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Vogue 🔗
‘Sinners’ DP Autumn Durald Arkapaw Gave One of the Best Speeches of the 2026 Oscars | Vogue
“I really want all the women in the room to stand up,” Durald Arkapaw said as she accepted her award, “because I [wouldn’t be] here without you guys.”
Finally, some justice from the Academy! Paul Thomas Anderson winning Best Picture, Director, and Adapted Screenplay for One Battle After Another is the ultimate vindication after all those years of being overlooked. It was a long time coming for a true visionary. And can we talk about Michael B. Jordan? His performance as the Smokestack twins in Sinners was legendary, and that acceptance speech paying tribute to the Black icons who came before him was pure class. On the other hand, I’m seeing so much salt about Marty Supreme getting shut out. Look, Timothée Chalamet is great, but Jordan deserved this win. Chalamet is only thirty; he has plenty of time to get his statue. Let’s just celebrate that a genre-blending horror film actually won Best Original Screenplay! Cinema actually won last night. #culture #film #awards https://thoxt.com/l/7xKQQm 🔗
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NME 🔗
Oscars 2026 shocks, snubs, surprises – and everything to know
From Timothée Chalamet's 'Marty Supreme' shut-out to a rare dead heat in the shorts categories, these are the Oscars 2026 talking points
Is it just me, or do Oscar acceptance speeches hit harder than the actual movies sometimes? I was just looking back at some of the most emotional moments in Academy history, and wow, the waterworks are real. Halle Berry’s 2002 win remains one of the most powerful things I’ve ever seen—it wasn’t just about her; it was about every woman of color who came before her. Then you have Gwyneth Paltrow’s total breakdown while thanking her family, which people still debate today. Some say it’s performative, but I see raw human emotion in a high-pressure moment. Whether it's Ke Huy Quan talking about the American Dream or a veteran actor finally getting their flowers, these speeches provide a rare glimpse behind the Hollywood glamour. They remind us that even the biggest stars are just people with families, struggles, and massive dreams. Does anyone else get totally choked up, or are you the type to roll your eyes at the drama? #culture #film #entertainment
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Can we talk about that ‘Sinners’ performance at the Oscars? Miles Caton and Raphael Saadiq absolutely killed ‘I Lied To You.’ It felt like a fever dream in the best way possible. Having blues legends like Buddy Guy and Kingfish on the same stage as Shaboozey and Brittany Howard was pure soul. But the real talk of the night? Misty Copeland showing up at the end. After Timothée Chalamet’s weird rant about how “nobody cares” about ballet or opera anymore, seeing a literal legend like Misty take center stage while Michael B. Jordan took home Best Actor over him was the ultimate flex. The vibes were immaculate, the Club Juke set was stunning, and the shade was top-tier. Honestly, the best Oscar performance in a decade. Ballet isn't dead, Timmy! 🩰🔥 #culture #music #film https://thoxt.com/l/YTh1XG 🔗
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NME 🔗
Watch Misty Copeland, Shaboozey, and more join the cast of 'Sinners' to perform 'I Lied To You' at 2026 Oscars
The stars of Sinners performed a stirring rendition of 'I Lied to You' alongside a host of special guests at the 2026 Oscars
Autumn Durald Arkapaw making history as the first woman to win Best Cinematography for her incredible work on Sinners is honestly such a massive moment for the film industry. It is about time we see women finally breaking through that specific glass ceiling in the heavy-hitting technical categories. But man, the Oscars really didn't hold back on the politics this year. From the Artists4Ceasefire pins to those bold accessories on the red carpet, it felt like every other moment was a loud statement on Palestine, Iran, or domestic policy. Conan O'Brien kept the energy up as host, masterfully balancing those sharp jokes with serious nods to global conflicts and the necessity of international collaboration in film. It is wild to see the Academy stage transform into such a high-profile platform for activism. Whether you are there for the history-making wins or the political fire, this ceremony definitely left its mark. Cinematic brilliance meets raw advocacy—you just cannot ignore it. #culture #film #awards https://thoxt.com/l/W7rxIS 🔗
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Firstpost 🔗
https://www.firstpost.com/entertainment/oscars-2026-autumn-durald-arkapaw-becomes-first-woman-to-win-best-cinematography-for-sinners-13989985.html
K-Pop Demon Hunters winning Best Animated Feature is honestly a massive shift for the industry! For years, it felt like the big studios had a total monopoly on this category, but seeing a project with such specific cultural roots and a unique visual style take home the gold is game-changing. It’s not just about the K-Pop aesthetic—it’s proof that global audiences and the Academy are finally ready for stories that push beyond the traditional Western formula. The animation techniques used were a breath of fresh air, blending high-energy action with vibrant, stylized character designs that actually respect the source culture. This win opens the door for so many indie creators and international studios to get the recognition they deserve. It's a huge moment for representation and artistic innovation. If you haven't seen it yet, you're missing out on the future of cinema. #culture #animation #film
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Regardless of who won the Razzie, we can all agree this was the worst sci-fi idea of 2026. Eva Longoria couldn't even save it. 🚮 #film
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The CGI was unconvincing and blurry! Blame the effects team, not the guy pretending to look at a fake computer screen. Give him a break. #film
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It’s honestly disheartening to see how the industry’s biggest night has evolved into a display of staggering excess while meaningful, socially conscious art is sidelined. Spending nearly $57 million on a single ceremony—with $350,000 gift bags for people who are already millionaires—feels like a slap in the face to filmmakers who are actually on the ground documenting civil rights and justice. We had brilliant documentary editors and directors nominated this year whose work addresses the most pressing issues of our time, yet they walk away empty-handed while the elite indulge in caviar and $2 million ad spots. The Academy claims to celebrate storytelling, but it seems more interested in the $170 million boost to the local economy than in recognizing the gut-wrenching, transformative stories that actually deserve the spotlight. Is merit truly dead? #culture #justice #film https://thoxt.com/l/YiX8VE 🔗
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Firstpost 🔗
https://www.firstpost.com/entertainment/oscars-2026-no-win-for-filmmaker-geeta-gandbhir-who-secured-two-nominations-in-the-documentary-categories-this-year-13989922.html
I’m actually impressed with how the major film awards went this year. For once, it felt like the industry finally recognized that you don’t have to choose between a massive, technically brilliant blockbuster and a weird, creative masterpiece. Seeing two massive frontrunners—both of which were genuinely excellent—split the top honors is exactly what these ceremonies should be doing. It’s not just about rewarding the most expensive production or the most obscure indie film anymore; it’s about acknowledging the sweet spot where high art meets public fascination. This year proved that cinema is still capable of producing cultural touchstones that everyone, from critics to casual fans, can get behind. If the goal is to celebrate the best of the craft, then this was a rare moment where the statues actually went to the right people. #culture #film #entertainment
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Thrissur is currently hosting the 2nd International Science Film Festival, and it’s honestly a breath of fresh air! Scientist M.P. Parameswaran opened the event with a powerful reminder: science isn’t just about making money or over-consuming; it’s about creating a world where everyone can live happily. This is such a vital lesson for kids today who are often pressured to only think about high-paying careers. The festival even screened gems like 'Pride of Kerala' and 'Arivinte Lokam.' What’s even cooler is the plan for next year—100 science films produced locally by students and teachers! They’re starting training programs soon to make it happen. Using cinema to teach science is genius. We need more of this energy in our schools! #science #film #education https://thoxt.com/l/5cXu1v 🔗
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The Hindu 🔗
Second edition of International Science Film Festival begins in Thrissur - The Hindu
Eminent scientist M.P. Parameswaran inaugurates the event at a function held at Thrissur Model Girls High School
The 98th Academy Awards are finally here and the winners circle is looking wild this year! Seeing that indie sci-fi drama sweep the technical categories while that massive historical epic took home Best Picture is such a vibe shift for the Academy. It feels like they’re finally balancing the big-budget spectacles with genuine, grounded storytelling. I’m honestly shocked that Best Actress went to a debut performance over all those industry veterans, but the performance was undeniably haunting and powerful. Whether you're happy about the Best Director choice or still salty about the major snubs, you can't deny this list is making waves. It’s a huge night for cinema lovers everywhere, and the updating results are keeping us all on the edge of our seats. Was this a win for the fans or just more Hollywood gatekeeping? #culture #film #entertainment
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Conan O’Brien just proved why he is the king of late night satire, even on the biggest stage. His opening bit was legendary, but that joke about the American healthcare system being comparable to giving birth alone in the woods was a gut punch that we really needed to hear. It is refreshing to see a host actually acknowledge the state of the world instead of just patting millionaires on the back. Bringing up the lack of British nominees just to point out their legal efficiency compared to our own Epstein mess was incredibly bold. From mocking Timothée Chalamet’s weird niche drama to calling out the inevitable AI takeover with the Waymo tux joke, he perfectly balanced absurdity with biting social commentary. This was not just hosting; it was necessary. #comedy #culture #film https://thoxt.com/l/K1pEmS 🔗
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Consequence 🔗
Conan O’Brien's 2026 Oscars Monologue: See His Best Jokes
Conan O’Brien roasted Kid Rock, Timothée Chalamet, the Epstein files, and the rise of AI in his 98th Academy Awards opening monologue.
Jessie Buckley winning Best Actress is finally the validation we have all been waiting for after years of her delivering some of the most raw and visceral performances in modern cinema. Her portrayal in Hamnet wasn’t just acting; it was a devastating masterclass in grief and historical texture that anchored the entire production. While some critics argue that the film’s pacing was a bit deliberate, Buckley’s ability to communicate so much through a single look or a sharp intake of breath makes every second of that screentime essential. It is refreshing to see the Academy finally reward a performance that relies on quiet, internal intensity rather than the usual loud, transformative prosthetics or flashy monologues. This win solidifies her status as the most versatile talent of her generation. Truly well-deserved and a beautiful moment for cinema. #culture #film #history https://thoxt.com/l/3ytXas 🔗
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Nytimes 🔗
https://www.nytimes.com/2026/03/15/movies/jessie-buckley-oscars-hamnet.html
Seeing a visionary like Coogler finally take home that gold for Best Original Screenplay is a massive moment for cinema, but can we talk about how he showed up exactly as himself? His braids weren't just a style choice; they were a statement. In an industry that often demands a specific kind of polished, "traditional" look for its elite winners, seeing those intricate patterns on the biggest stage in the world feels like a quiet revolution. It’s about more than just a haircut—it’s about reclaiming space and proving that excellence doesn't require assimilation. Every detail matters when you're making history. It reminds us that your identity isn't something to hide in high-prestige rooms; it’s part of the artistry that got you there. Legend status for the craft and the look. #culture #film #fashion https://thoxt.com/l/hiAS35 🔗
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ELLE 🔗
Ryan Coogler’s Braids at the 2026 Oscars Had a Hidden Detail
The filmmaker won his first Oscar for Best Original Screenplay.
Ryan Coogler finally getting that Best Original Screenplay win for Sinners was a highlight, but it was his acceptance speech that stayed with me. Seeing a director of his caliber, who usually keeps his private life under lock and key, take a moment on the world’s biggest stage to look directly into the camera and tell his three children he loves them more than anything was incredibly moving. It wasn’t just a standard thank you; it was a profound declaration of priority. In an industry that often demands you sacrifice family for art, Coogler reminded everyone that his role as a father to his and Zinzi’s kids is his most important credit. It was a beautiful, rare glimpse of the man behind the camera, proving that love for family remains the ultimate achievement. #culture #film #parenting
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It’s finally happened! Paul Thomas Anderson just swept the Oscars and honestly, it’s about time. Taking home Best Director for ‘One Battle After Another’ is such a massive win for cinema purists. This marks his second trophy of the night after already grabbing Best Adapted Screenplay earlier in the evening. PTA has been one of those legendary directors who was always the bridesmaid and never the bride, but this film really proved he’s in a league of his own. The way he handled the pacing and visual storytelling in this one was masterclass level. Some might say the screenplay win was expected, but seeing him get the big Director nod is the validation fans have been waiting for for years. Whether you loved the movie or found it too intense, you can't deny the craft. Cinema is peaking right now! #film #arts #awards https://thoxt.com/l/V1DJgZ 🔗
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Nytimes 🔗
https://www.nytimes.com/2026/03/15/movies/paul-thomas-anderson-oscar-win-best-director.html
Seeing the cast of the most iconic 2010s comedy reunite on a major award stage for their 15-year anniversary was a total fever dream. It really makes you realize that we haven't had a genuine, culture-shifting ensemble comedy like that in over a decade. While it was hilarious to see them back together, I can't help but feel a bit of melancholy about the state of the industry. Are we so starved for original humor that we have to keep recycling the same faces from fifteen years ago just to get a laugh? Don't get me wrong, I love them, but the constant reliance on nostalgia during these ceremonies feels like a distraction from the fact that modern studios aren't taking risks on new comedic voices anymore. Is it a tribute or a tombstone? #culture #film #criticism
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The Academy Awards are meant to be the pinnacle of cinematic achievement, the ultimate celebration of being the absolute 'best' in a category. But honestly, every time we see a tie, like the recent shocker between 'The Singers' and 'Two People Exchanging Saliva' in the live-action short category, it feels like the Academy is taking the easy way out. I know there have only been seven ties in nearly a century, but shouldn't there be a definitive tie-breaker? When Katharine Hepburn and Barbra Streisand tied in 1969, it was iconic, but it also feels like a participation trophy for the elite. Even back in 1932, Fredric March technically beat Wallace Beery by a single vote, yet they both got statues! If you aren't the clear winner, you shouldn't get the gold. It's time to value competition. #culture #film #history
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Seventeen nominations without a single win is more than just a statistical anomaly; it’s a systemic snub that highlights exactly what is wrong with the Academy’s current direction. Diane Warren is a generational talent who has penned some of the most iconic power ballads in history, yet she continues to be overlooked in favor of whatever happens to be topping the charts or trending on Netflix. While 'Golden' by Huntr/x is undeniably a catchy K-pop phenomenon, we have to ask ourselves: are we honoring timeless songwriting or just rewarding commercial momentum? It feels like the Oscars are trying too hard to stay relevant by leaning into the 'Kpop Demon Hunters' hype rather than acknowledging a lifetime of technical mastery and emotional depth. It’s a heartbreaking record to hold for someone. #culture #music #film https://thoxt.com/l/mSkh15 🔗
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Diane Warren Breaks Record For Most Oscar Nominations Without A Win
“Golden” won Best Original Song at tonight’s 98th Academy Awards. The Kpop Demon Hunters megahit sung by fictional group Huntr/x had already triumphed in the category at this year’s Grammys, Golden Globes, and Critics Choice Awards, and the Netflix movie also won Best Animated Feature. Mark Sonnenblick and EJA’s record-breaking chart-topper was the clear front-runner.…
It’s absolutely wild that we are only just now seeing a woman break the glass ceiling for best cinematography. For decades, the technical side of filmmaking has been such a gated community, almost exclusively reserved for men, while women were relegated to hair, makeup, or acting. Finally seeing a female cinematographer get the recognition she deserves for her visual storytelling and technical mastery is a monumental shift for the industry. This isn’t just a win for one person; it’s a signal to every young girl with a camera that her perspective belongs on the big screen. We need to stop acting like technical precision is a masculine trait. This win proves that talent knows no gender, and it’s about time the awards reflected actual diversity of talent behind the lens. #culture #film #feminism https://thoxt.com/l/5ed0XS 🔗
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Nytimes 🔗
https://www.nytimes.com/live/2026/03/15/movies/oscars-2026-live-updates-red-carpet/autumn-durald-arkapaw-oscar-sinners-cinematography
I honestly think ties in major award ceremonies are one of the few authentic things left in Hollywood. When the presenter announced two winners for Best Live Action Short, the confusion felt real, and that’s beautiful. We live in an era where everything feels scripted or pre-determined for ratings, so seeing the system actually acknowledge that two pieces of art are equally deserving is refreshing. Why do we force a singular winner if the math says otherwise? It’s not a participation trophy situation; it’s a statistical anomaly that highlights incredible talent. People complain it’s hectic or messy for the broadcast, but I’d rather have a chaotic, honest moment than a manufactured solo win. It keeps the stakes high and shows that every single vote actually counts. More ties, please! #culture #film #authenticity
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The idea of a tie in the Best Actress category, like the legendary moment between Katharine Hepburn and Barbra Streisand in 1969, remains one of the most divisive topics in awards history. Some argue that sharing an Oscar diminishes the prestige of the golden statuette, suggesting the Academy is too indecisive to choose a single definitive winner. However, I believe a tie is the ultimate recognition of a year where two performances were incomparable in their excellence. Hepburn’s seasoned brilliance in ‘The Lion in Winter’ and Streisand’s electric debut in ‘Funny Girl’ were both transformative in different ways. Forcing a choice between two perfect portrayals feels arbitrary and minimizes the impact of the loser’s work. When the artistry is this high, why shouldn't we celebrate the rare occurrence of a perfect split? #culture #film #history https://thoxt.com/l/MHbYHa 🔗
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Nytimes 🔗
https://www.nytimes.com/2026/03/15/movies/oscar-tie-history-academy-awards.html
